Showing posts with label awards. Show all posts
Showing posts with label awards. Show all posts

Monday, October 27, 2014

Are You Getting Out There?

3 comments
 by Hilde Garcia

For a while, I wasn’t. I just didn’t think anyone should be reading my work-in-progress or even would want to read it.  Then as I was cleaning out an old writing file, I found SCBWI’s Awards and Grants Flyer. 

And it got me thinking.  Why not? Why not have someone read my work-in-progress?  Why not apply again?  I had a long, long time ago, when my story was in its infancy, and I wasn’t selected, so in a drawer went the file and the flyer and possibly some of my hope too.

I didn’t realize how many other options are available now and what a huge opportunity to jumpstart the publishing process for me.

Therefore, whether you knew about them or not, here are SCBWI’s Awards and Grants!  With so many ways to make a difference in your writing, why not take the plunge?

SCBWI’s guidance and support makes publication a tangible reality.  I’m so honored to be a member.

I'll be submitting before the year is done, hope you do as well.

Happy Submitting!

ON THE VERGE EMERGING VOICES AWARD
 
The SCBWI established the On-The-Verge Emerging Voices Award in 2012 with funding from Martin and Sue Schmitt of the 455 Foundation. The grant was created to foster the emergence of diverse voices in children’s books.


Deadline: 
Applications accepted between September 15th and November 15th, 2014
Award:
Two writers or writer/illustrators will each receive:
1. All-expense paid trip to the SCBWI Summer Conference in LA: August 1-4, 2015 (transportation and hotel)
2. Tuition to the SCBWI Summer Conference
3. A manuscript consultation at the Summer Conference with an industry professional
4. An additional meeting with an industry professional
5. Tuition to the Summer Conference Writers or Illustrators Intensive6.
6. A press release 

Eligibility:
Any writer or writer/illustrator from an ethnic and/or cultural background that is traditionally under-represented in children’s literature in America. (American Indian, Asian, Black or African American, Hispanic, Pacific Islander)
The manuscript must be an original work written in English for young readers and may not be under contract.  The applicant must be over 18, be unpublished, and should not yet have representation.
Guidelines: 
All applications will be accepted via email only between September 15th and November 15th at Voices@scbwi.org and must include the following:
In the body of the e-mail:
1. An autobiographical statement and career summary in less than 250 words.
2. Why your work will bring forward an underrepresented voice in less than 250 words.
3. A synopsis of your manuscript in less than 250 words. 

Attached to the e-mail:
4. A PDF of your entire manuscript.  If the manuscript is not complete, it is not eligible.

The winners will be announced December 19, 2014 and the award presented at the 2015 SCBWI Summer Conference in Los Angeles, August 1-4.  
When your work is published the author/illustrator should include in the acknowledgement "This book was made possible in part by a grant from SCBWI."


THE WORK IN PROGRESS AWARD

The Work-in-Progress Award showcases outstanding manuscripts from the members of the SCBWI. The selected works will receive a special platform to be showcased to the most prestigious publishing houses in the field.  We will choose 1 winner and up to 5 honorable mentions in each of the following 6 categories.

Categories:
      Picture Book Text
Chapter Books/Early Readers
Middle Grade
Young Adult Fiction
Nonfiction
Multi-Cultural Fiction or Nonfiction

Award:
The works submitted by winners and honorable mention recipients will be made available on a secure webpage and presented to a hand-selected group of editors for their consideration. Although this is not a guarantee of publication, the opportunity to have your work presented to acquiring editors, along with an SCBWI endorsement, is a rare and much prized opportunity.

Deadline:  
Applications may be submitted March 1-March 31, 2015. Winners will be announced in September.

Eligibility: 
  1. You must be a current SCBWI member when your work is submitted and when the award is announced in September.
  2. You may not submit a work that is under contract.  If the work becomes under contract before the award is announced, you will become ineligible.
  3. You may submit to only one WIP grant category per year.
  4. The grant is open to authors with a current work-in-progress. Illustrators can apply for one of the Don Freeman Grants.

Guidelines:
IT IS CRITICAL THAT YOUR APPLICATION FOLLOWS THE BELOW INSTRUCTIONS COMPLETELY.
1.     You must submit your application electronically in the form of ONE PDF.

YOUR PDF APPLICATION MUST INCLUDE:

1. A first page that contains:
  • Your name
  • Manuscript Title
  • Grant Category
  • A double-spaced synopsis, max 250 words

2. The first 10 pages of your completed manuscript.
  •  Your manuscript must be double-spaced and cannot exceed 10 pages.

3. Title the PDF with your name (first_last.pdf)
  • TO SUBMIT YOUR APPLICATION:
  • Email your completed application to: wipgrant@scbwi.org
  • Put the category you are applying to in the subject line of the email
  • Put your full name and the name of your manuscript in the body of the email.
  • Send the PDF as an attachment to your email

Email your completed application to: wipgrant@scbwi.org
Karen Cushman


THE LATE BLOOMER AWARD

The Karen and Philip Cushman Late Bloomer Award is for authors over the age of fifty who have not been traditionally published in the children’s literature field. The grant was established by Newbery Award winner and Newbery Honor Book recipient Karen Cushman and her husband, Philip Cushman, in conjunction with the Society of Children’s Book Writers and Illustrators.  Karen published her first children’s book, The Midwife’s Apprentice (winner of the 1996 Newbery Medal), at the age of fifty-three and has gone on to become one of the field’s most acclaimed novelists.
"This award was established to encourage and celebrate late bloomers like me, who didn't start to write until age fifty.  But then I bloomed, and I'd love to see others do so as well,” said Karen.
SCBWI Executive Director Lin Oliver agreed, “One of the great aspects of writing children’s books is that it’s not age-restrictive. The SCBWI hopes an individual’s creative expression can make a valuable contribution, no matter what his or her age.”
The award is open to unpublished children’s book authors or author/illustrators over the age of fifty, and one winner will be chosen from the pool of those who have submitted material for the SCBWI Work-In-Progress Grants. 
About Karen Cushman
Karen Cushman is the author of The Midwife’s Apprentice (winner of the 1996 Newbery Medal), Catherine, Called Birdy (a Newbery Honor book), The Ballad of Lucy Whipple (winner of the John and Patricia Beatty Award), and her latest book,Will Sparrow's Road (Clarion 2012). Karen lives and writes on Vashon Island in Washington.  To learn more about Karen visit www.karencushman.com.

Deadline: 
Submitted through the Work-In-Progress application from March 1-31.

Award: 
$500 and free tuition to any SCBWI conference anywhere in the world.

Guidelines:
1. You must be a current member.
2. The award is open to unpublished writers and writer/illustrators fifty years of age and older.
3. Applicants send an additional email with the same Work-in-Progress grant application they have already submitted to: wipgrant@scbwi.org with "Cushman" in the subject line and your full name in the body of the email. (You will be sending two emails to the same address with the same attachment but different subject lines.)
4. The applicant cannot have been published or have a project under contract in the children’s book field. 
All Work-In-Progress Grant guidelines apply.
The final judging will be by a committee including Karen Cushman and Lin Oliver.
Questions? grants@scbwi.org

FOR PUBLISHED AUTHORS AND ILLUSTRATORS

Book Launch Award- Provides authors or illustrators with $2,000 in funds to help the promotion of their newly published work and take the marketing strategy into their own creative hands. 


Crystal Kite Award- Peer-given award to recognize great books from 15 SCBWI regional divisions around the world. 

Golden Kite Award- Instituted in 1973, the Golden Kite Awards are the only children’s literary award judged by a jury of peers. The Golden Kite Awards recognize excellence in children’s literatures in four categories: Fiction, Nonfiction, Picture Book Text, and Picture Book Illustration. 

Jane Yolen
Jane Yolen MId-List Author Grant- Critically acclaimed children’s book author Jane Yolen created this grant to honor the contribution of mid-list authors. 




Magazine Merit Award- For original magazine work for young people in the categories of fiction, nonfiction, illustration, and poetry. 




Martha Weston Grant- The Martha Weston Grant was established by the Hairston Family to remember author/illustrator Martha Weston. The grant helps authors and illustrators who want to switch children's book genres.

Martha Weston

Sid Fleischman Award- Given with the Golden Kite Awards, an award for exemplary writing for children in the genre of humor.


Sid Fleischman
Spark Award- An annual award that recognizes excellence in a children’s book published through a non-traditional publishing route.

Work-In-Progress Award- To assist children’s book writers and illustrators in the publication of a specific project currently not under contract. Given in the categories of: Picture Book Text, Chapter Books/Early Fiction, Middle Grade, Young Adult Fiction, Nonfiction, and Multi-Cultural Fiction or Nonfiction.



COMMUNITY GRANTS
Amber Brown- The Amber Brown Grant commemorates author and beloved school speaker, Paula Danziger.  Two schools are awarded each year with an author or illustrator visit and new books to continue Paula’s love of connecting children with creative influences.
Paula Danzinger


Tribute Fund- The SCBWI Tribute Fund commemorates members of the children’s book community, their lives, and their work by funding all-expense scholarships to the SCBWI International Summer and Winter Conferences for the general membership. 

Not a member of SCBWI?  Join and take advantage of the opportunities that await you.


Monday, March 31, 2014

First lines from the 2014 Cybil Award Books

13 comments
by Susan J Berger

I wanted to do a first line post. First, my gratitude to the internet which permits me to do the research and to Amazon's Look Inside feature which allows me to copy the first lines into my post without leaving home. The title links are to Amazon so that you, too, may read further and decide if you want to buy or borrow the book from the library.

Next my gratitude to The Los Angeles Public Library whose on-line service enables me to place holds on books I want and/or order books electronically.

These first lines are from The 2014 Cybil winners.

Picture Books

Mr. Tiger Goes Wild written and illustrated by Peter Brown

Everyone was perfectly fine with the way things were. Everyone but Mr. Tiger.

I love this.

Easy Reader


It was a busy day at City Hospital. Doctor Glenda was writing something important on the wall chart. Nurse Percy was helping someone in a red coat who was crying because she couldn’t find her grandma.

Not so much.  Three. Count them. Three was ­__ing in the first paragraph? Not a great example for an easy reader.

Easy Chapter Books

Horror (scary tales) by James Preller

“Wake up, Liam. We’re here,” Mr. Finn whispered from the driver’s seat. “Our new home.”

            The eight year old boy rubbed his eyes, groggy from the long drive. He looked out the car window, blinking into the dark. “What time is it?”

            Around midnight,” his father said. “you three have been crashed out for hours. Home Sweet

Since this is admittedly a horror story, I would read on to find the horror

Speculative Fiction


Of the first few hauntings I investigated with Lockwood & Co. I intend to say little, in part to protect the identity of the victim, in part because of the gruesome nature of the incidents, but mainly because, in a variety of ingenious ways, we succeeded in messing them all up.

Wow. Try saying that all in one breath. I believe the author thought the editor was sure to read the first sentence and wanted to make it count.

Middle Grade Fiction


Ultra by David Carroll
THE STARTING LINE

Mile O

QUINN: I still don’t get why it was such a big deal. All the kids like to run. Go to any schoolyard. You’ll see kids playing tag, soccer, capture-the-flag . . .All those games involve running.

SYDNEY WATSON WALTERS: The difference is, most kids run for 10 or 15 minutes. Not for 24 hours straight like you.  

This turns out to be a kind of preface. I read on to find out why someone would run for 24 hours. Sounds like a book I might like.

Young Adult Speculative Fiction

The SummerPrince by Alaya Dawn Johnson

 When I was eight, my papai took me to the park to watch a king die.

I love this opening. What a great first sentence. Naturally I read on to find out what happened. If you like the sentence, click the link and read on yourself.

YA Fiction


“Yaqui Delgado wants to kick your ass.”

            A kid named Vanessa tells me this in the morning before school. She springs out with no warning and blocks my way, her textbook held at her chest like a shield. She’s tall like me and caramel. I’ve seen her in the lunchroom, I think. Or maybe in the halls. It’s hard to remember.

I have to read this one. She had me at the name.

This is a bit short so I’ll add three from NY Times Best Seller List from the week of March 25th

 The One and Only Ivan by Katherine Applegate

Hello

I am Ivan. I am a gorilla.

It’s not as easy as it looks.


I've been told by several friends this is a wonderful book. It's definitely one I want to read.


A Long Walk toWater by Linda Sue Park

Southern Sudan 2008

Going was easy.

            Going, the big Plastic Container held only air. Tall for her eleven years, Nya could switch the handle form on hand to the other, swing the container by her side, or cradle it in both arms. She could even drag it behind her, bumping it against the ground and raising a tiny cloud of dust with each step.

I've met Linda Sue Park at the SCBWI Summer conference. I am so delighted to see her on the best seller list.

One last Book.
Journey by Aaron Becker

This book had no words It’s a story in pictures. It’s 4 on the picture book Best Seller List and a 2014 Caldecott Honor book. I love picture books with no words. So I wanted to call it to your attention.

Happy reading and writing.

Monday, January 7, 2013

The Kidlit Writer's Alphabet

30 comments
    By Kris Kahrs

     By the same people who brought you The Pirate's Alphabet, Ms. K. felt inspired to share her version of the Kidlit Writer's Alphabet.  Please feel free to join in and share your own version in the comments below.





A is for Associate Social Media Editor, the job you take while working on your manuscript nights.






B is for 'But first coffee..', the first thing your brain says in the morning as you stagger to your writing table after another late night.

 
C is for Conference, where you spend the trillions of dollars you make at your day job to flog your latest YA, geek-cum-vampire masterpiece.


D is for Desk Cat, because (say it with me now), no writer should be without one.



E is for Earnest, as in the tone of the Query Letter you write to the editor you met at the conference.




F is for the thing that you said when you received your twelfth rejection letter.







G is for Great which is the chocolate you ate after the twelfth rejection letter.


  
H is for Hungover, which is how you feel after you drank the martinis after you ate the chocolate after the twelfth rejection letter.


I is for Instant Acceptance, which is how the newly published author you went to listen to at the bookstore described how her book got picked up after she got out of her Master's program.


J is for 'just', the word you did a search and replace on and found 54 times in your manuscript.



K is for Knight, the new character you add to your YA manuscript on the advice of your online critique.



L is for the Love letter you write to the agent who calls to request the whole manuscript after reading your ten page submission.

 
 M is for the Mantra (please buy my book) you chant the whole time the agent has your manuscript.



N is for the Non-stop fun you are having doing the revisions requested by said agent.




O is for the Opera you sang when the agent offered to take you on as a client.




P is for the Publishers your agent shops your manuscript to.




Q is for yet another Quick and dirty revision you do for each of them.





R is for the Riot you started at Staples when you couldn't find the right ink cartridge for your printer.


S is for the Salmon filet you cooked for desk cat (you had the champagne) when the publisher called to say they wanted your book.


T is for the cup of Tea you had (to keep your hands from shaking) when you went in to the Publisher's offices to sign the contract.

U is for the pair of Uggs you bought that you wore to Starbucks because you are a writer in L.A. after all.


V is for Very ecstatic because your agent says your book is on The New York Times bestseller list.

 

W is for Writing the sequel because your agent has created a bidding war for your next manuscript.

 X is for the Xtra large cup of Pinkberry you buy because you figure you can afford the big bucks.





Y is for the YES you screech when your agent tells you that a producer is interested in making a movie of your book.




 
Z is for zealous, which is how you feel about you and desk cat religiously getting your couples' massage on Tuesdays.



     Best of luck to all of us in 2013!