Monday, January 13, 2014

A Conversation with Richard Peck

18 comments
by Victoria Krol and Hilde Garcia

Pen and Ink met Richard Peck at the 2013 SCBWI Summer Conference. Hilde asked if she and Victoria could interview him for the blog. He said yes. It took some time and doing, but we finally connected.

Scene 1- The Call

Hilde: (The number on the screen is a NYC number I don’t recognize.) Hello?

Richard Peck: Is this Hilde Garcia?

Hilde:
Yes.

Richard Peck: This is Richard Peck. (My heart skips a beat. My hairdresser waits patiently, blow dryer in hand.) Is this a good time for an interview?

Hilde: Umm, well, (I sound so dopey), I'm getting my hair styled for a party. Could we possibly do it in 30 minutes?

Richard Peck: (chuckle) Yes of course. You can call me.

Hilde: I know I said I would drop whatever I was doing to be at your disposal, but I don’t think I can drop the hair dryer.

Richard Peck: (chuckle) No, I don’t think you should.

Scene 2- The Introduction

One very excited eight-year-old, pen and pencil in hand, was waiting for me to run in through the door, with perfect hair, no doubt.

I am ready mom.

Me too.
(I am about to interview THE Richard Peck, author of more than 30 incredible novels. I am most certainly not ready.)

We run to the garage and set up our call. We dial.
Hello.
Good evening, Mr. Peck. We are ready and the hair dryer is safely put away.    
That’s good.

Hi Mr. Peck, remember me? We met and I was wearing my Hello Kitty earrings.

Yes I do.  Hello Victoria.

  (To me, she mouths: “He remembered me!")

To Mr. Peck:  May I ask my first question?


 Yes, you may.

Scene 3- The interview


Why do you use a typewriter to write your stories and not a computer?
I use a typewriter because I have never lost a young reader to a typewriter, but I have lost too many to computers, games and texting.
My teacher says that we have to rewrite our stories to make them better. How do you revise your stories, because there are no mistakes in them at all?
I write each page six times because I don’t get it right the first 5 times.  Then when I get it right, I take out 20 more words because I wasn’t confident initially with the words I chose.  Then I go to the next page.
Why did you decide to become a writer?
I was a teacher but I couldn’t find things for my students to read that had any worth.

Well, that answers the question of what other jobs have you done.

Yes, it does. My students didn’t know it was stuff I had written.  And eventually, I had to stop teaching because I needed the time to write.

I had a teacher in high school for advanced English Literature, Mr. Harrell, who did the same.  He would write poems, essays, and short stories, and then have us analyze them for daily assignments or exams.  I never realized he was writing these original pieces of literature.  I simply thought they were from some famous writer I hadn't studied yet.  I think I figured out it was Mr. Harrell a couple of years after I graduated. I was in a college literature class and it suddenly dawned on me that none of those pieces were actually published.  Thank you, Mr Harrell. 
In The Secrets of Sea, you made the mouse, Louise, and the girl, Camilla, friends, and then their lives took a lot of crazy turns.  Why?  
Louise and Camilla. Well I created the story with three sisters. The older sister was bossy.  The youngest was the rebel.  And then Louise was the communicator even with human beings.  I often use middle children in my stories because they are good communicators. And taking the story through many turns is what makes it compelling.
So in essence the middle child or mouse becomes your reliable source of information.
Yes.
Mrs. Dowdel (from A Season of Gifts, A Long Way Down from Chicago, and The Year Down Yonder) is a completely unique character. 
Yes, she is unparalleled and works her way into your soul the more you read of her in each of those books.

Is she inspired by someone you know?

She is inspired by all the old ladies in my house. I had a grandmother that was six feet tall with a crown of snow-white hair, that lived in that house and in that town.  My dad told me the story so in a way, these stories are his, and I felt they had more poetry than my own, so I wrote them. I will share with you something serious, too.  Mrs. Dowdel loved her grand-kids, where my own grandmother didn’t.

WOW.
    (This was whispered to me, and Mr. Peck obviously couldn’t see Victoria’s face, which was both excited and sad.)


I love the chapter in A Long Way from Chicago entitled “Shotgun Cheatham.”  Why did you decide to have the cat jump out of the coffin?
Mom, why wouldn’t you?  That was the funniest chapter I have ever read.  A cat jumping out of a coffin, but everyone thinking the dead person was still alive.
(chuckle) Well, the cat in the coffin was from a story I heard as a child.  The idea intrigued me and stayed with me throughout until I finally wrote it down.  And here’s a little something about Mrs. Dowdel.  She is a free thinker.  She doesn’t care what other people do or other people think.  She decides what’s right.
I think she’s a great example of what our current generation lacks, this moral compass, which guides each and every individual. Everything about today’s world is about mass mentality and conglomeration.  Free thinking is a lost art.
Yes it is.
Mr. Peck, have you read The Harry Potter series?
I haven’t read all of it.  I don’t really like fantasy and witches and all of that business.  But it wouldn’t be bad to be J. K. Rowling. (Another chuckle).  Not every character is for every child.
Which is why we need so many writers, to write for each child.   
So true.
Our principal’s book club chose to read A Season of Gifts. It was amazing to see how many children -- and in some cases, very young children -- identified themselves with Mrs. Dowdel and Bobby and how many of them understood very well the scene in which Bobby is bullied into the privy. It seems a universal feeling.
Principal Atikian's Book Club - Morning Meeting
Bullies are mean. Mr. Peck, did you write your stories about your time in school and places you lived in or visited?
I am very fond of geography and when I grew up, classrooms had maps.


Imagine that!  Well, I am happy to say that my classroom has one map.  
Good.  I’ve never written a story about a place I haven’t visited. I tried once, but it didn’t work. My newest book is set in the gardens of Buckingham Palace.  It took me a long time to get into the gardens because they weren’t public until recently, but once I visited them, I could write the story.  It wasn’t enough to look at photos for me.  I had to be there. 

Now, the three books that feature Mrs. Dowdel were about my father’s home and I did visit that house.  On the Wings of Heroes and Dreamland Lake are about my hometown and my experiences, though I doubt you can find those books in print  anymore.
Well, I'll just have to pay a visit to Amazon or eBay and see what they can turn up for me.
  
 Do you have a favorite character that another author wrote?
    
Yes of course, because I am a writer. My teacher in the 4th grade gave me a book about a boy named Huck Finn, and then I knew what I wanted to do for the rest of  my life.
I love that story too!  I also love Phyllis and Ruth Ann in A Season of Gifts.  What inspired you to make the sisters so different?

Yes, they are quite opposite aren’t they?
   
Here’s another story about a middle child. The brother is very protective and that I find interesting. Having three siblings in my stories always fascinates me even though that wasn’t the case for me, as it was only my sister and I, and I was the oldest.

Also, in A Season of Gifts, these kids are PKs- Preachers' Kids- and where ever they live, they are watched and judged for everything they do.  Ruth Ann ends up becoming a little Mrs. Dowdel. This is an example of how your characters become living people and will do and say things that don’t seem to come from you, the author.
Mr. Peck, I am a writer too.  And I was wondering if you had any advice for me?
     
Yes.  Learn five new words a day.  Every book has a new vocabulary.  You want to use words to create new worlds.  And you need more words than you and your friends use every day.  If you are going to be a writer, you need to collect words.
I will do that, I promise.  I do have one more burning question.   
Yes?
Well, you spelled Ruth Ann with an E at the end of Anne.  My middle name is Anne with an E like the main character Anne in Anne of Green Gables. Well, with or without an E, she’s a great character and you are a great writer.  I love your stories, all of them that I’ve read so far.
Thank you, Victoria.

Mr. Peck, it was an honor to have your book selected by our Principal for her book club and to have so many children inspired by Mrs. Dowdel. Many of the students in our club drew their own version of the cover for A Season of Gifts and I promise to send you photos of our bulletin board.
 That would be wonderful.
I hope to see you at the next SCBWI conference in LA next summer, Mr. Peck.
    
 Look forward to it.

We hang up the phone.

Scene 4- The Aftermath

Hoo Boy.
  
Indeed.
My daughter and I sat in euphoria in our garage studio, trying to linger in the glow of the interview, letting the words fall on our memory.

We were on our way to a holiday party for the teachers at our school, and couldn’t help bouncing on our way there.

There are magical moments in life, moments you know you will not forget. I remember turning 19 and waking up in Paris. I remember holding my children the day they were born. As a child, I remember the day I won the school’s spelling bee at age 8.

And for my daughter, I think this become her first of what I hope will be many magical moments, the evening she interviewed Richard Peck. I have to say, I was quite impressed with her poise, her calm, her questions. She is a greater woman at 8 than I could ever have been, even now in my 40’s.

I will add this magical moment to my collection and she will use it to start hers.

Thank you, Mr. Peck.

Monday, January 6, 2014

Dispatch 16: Viva Las Verbs

8 comments
The Strip
by Lupe Fernandez

Every time I put a word on the page, it's a gamble. When I choose a sentence, it's a gamble. The placement of a paragraph, it's a gamble. Do I take a chance on this character or that character? Will the morose teen win me a successful narrative or should I bet on the cheerful boy skeleton?

I send out a query letter with sample pages and watch the days spin and the lights blink; drink from a tray of hope and wait. Rejection. The House likes to win. But I walk through the casino of literature and see the winners, the smiling faces, wide eyes, the aroma of intoxication, the fixation of "one more time and my luck will chance."

I wander the boulevard of fantasy, of pretend worlds constructed out of nothing. Artifices rise out of the desert.

Empty Lot
A city that shouldn't exist but for the water siphoned from the Colorado river, diverted from cities and crops. My mind is a parched landscape unless it's watered by a flow of inspiration and rewrites.

Everybody on the sidewalks, passing in and out of stores and restaurants, believes this is their day, that they are winners. They have to be. Not the stranger next to them. Not that other couple who weighs the currency they carry, the investment of time and resources.

If everybody believed that the system can't work, if everybody wins, then nobody would play and the city would empty. The buildings would decay and the desert would reclaim the land.

Who am I to think, "I'm the lucky. Today is the date. I've studied the system. I'll bet on contemporary a young adult sex-comedy. I'll play the traditional publication table and stay in for the long run. I won't get greedy. I'll know when to walk away."

Guy Passes Out Advertisements
Then there's the sad face. He stands on the sidewalk and hands out flyers, for what he cares not. Strangers pass him, ignore him. Some  momentarily acknowledge his existence, take his flyer and immediately toss it away.

Maybe one passerby will actually read the flyer, chortle in disgust at the contents and toss it. The paper joins other discarded sheets that drift through traffic lanes or lay on the sidewalk and get stomped on by foot traffic. He sweats in the sun and shivers when the wind blows. All he knows is that he must get ride of the flyers to get paid.

Who knows, one day I may eat at the table, the grand buffet of conferences, school visits, signings and sequels.

I will inhale the sweet, savory smells and my mouth will water, my tongue lick my lips with impatient appetite and I'll stuff myself with beautiful delights, cramming myself so full that I'd wish I had another stomach to take in more.

Then I'll leave this make-believe place, come home and brag, "Man, did I get lucky."

Monday, December 30, 2013

The Kid Lit Writer's Alphabet

6 comments
By Kris Kahrs

The Pen and Inkers are all busy writing our New Years Resolutions. This is a repost from New Years 2013. Happy 2014 to all of us.

By the same people who brought you The Pirate's Alphabet, Ms. K. felt inspired to share her version of the Kidlit Writer's Alphabet.  Please feel free to join in and share your own version in the comments below.



A is for Associate Social Media Editor, the job you take while working on your manuscript nights.






B is for 'But first coffee..', the first thing your brain says in the morning as you stagger to your writing table after another late night.

 
C is for Conference, where you spend the trillions of dollars you make at your day job to flog your latest YA, geek-cum-vampire masterpiece.


D is for Desk Cat, because (say it with me now), no writer should be without one.



E is for Earnest, as in the tone of the Query Letter you write to the editor you met at the conference.




F is for the thing that you said when you received your twelfth rejection letter.







G is for Great which is the chocolate you ate after the twelfth rejection letter.


  
H is for Hungover, which is how you feel after you drank the martinis after you ate the chocolate after the twelfth rejection letter.


I is for Instant Acceptance, which is how the newly published author you went to listen to at the bookstore described how her book got picked up after she got out of her Master's program.


J is for 'just', the word you did a search and replace on and found 54 times in your manuscript.



K is for Knight, the new character you add to your YA manuscript on the advice of your online critique.



L is for the Love letter you write to the agent who calls to request the whole manuscript after reading your ten page submission.

 
 M is for the Mantra (please buy my book) you chant the whole time the agent has your manuscript.



N is for the Non-stop fun you are having doing the revisions requested by said agent.




O is for the Opera you sang when the agent offered to take you on as a client.




P is for the Publishers your agent shops your manuscript to.




Q is for yet another Quick and dirty revision you do for each of them.





R is for the Riot you started at Staples when you couldn't find the right ink cartridge for your printer.


S is for the Salmon filet you cooked for desk cat (you had the champagne) when the publisher called to say they wanted your book.


T is for the cup of Tea you had (to keep your hands from shaking) when you went in to the Publisher's offices to sign the contract.

U is for the pair of Uggs you bought that you wore to Starbucks because you are a writer in L.A. after all.


V is for Very ecstatic because your agent says your book is on The New York Times bestseller list.

 

W is for Writing the sequel because your agent has created a bidding war for your next manuscript.

 X is for the Xtra large cup of Pinkberry you buy because you figure you can afford the big bucks.





Y is for the YES you screech when your agent tells you that a producer is interested in making a movie of your book.




 
Z is for zealous, which is how you feel about you and desk cat religiously getting your couples' massage on Tuesdays.



Best of luck to all of us in 2014!

Monday, December 23, 2013

The Twelve Days of Writing for 2013

21 comments
We posted this last year, but history repeats.

by Lupe Fernandez

On the Twelfth day of Christmas,
My true love gave to me:

Twelve Movie Options

Eleven Newbery Awards

Ten White House Invitations

Nine Weeks as Best Seller

Eight City Tours

Seven Keynote Speeches

Six Figure Advances

Five Book Contracts

Four Publishers Bidding

Three Books Covers

Two Editors Editing

and an Agent in a pear tree.

Have a cookie. You'll feel better.
If you're feeling a bit down this season, check out this 2.0 version of the The Twelve Days of Writing.

Until next year devoted readers, hasta la luego.

Monday, December 16, 2013

Spilling Ink. How to get kids (and you) to write

4 comments

by Hilde Garcia

Spilling Ink.

Seems easy. To simply let ink flow out on to paper as their ideas evolve. Not easy at all. But if you think it is hard for us, try teaching kids to do it?

Well, two amazing ladies created a fabulous handbook that makes this task extremely accessible- and forget the kids- I use the book too!

Their book titled Spilling Ink: A Young Writer’s Handbook by Ellen Potter and Anne Mazer is fabulously written and kid friendly. I used it two years ago when I taught 6th grade how to write a novel and the project was a hit thanks to the handbook. Now, I am introducing it to my 4th and 5th grade class and now the rest of the upper grade staff wants to join in on the fun.

What’s the fun?

Let’s write a novel, kids. Yep, and then publish it.

A bit crazy to undertake the way today’s schools are set up, but I’m that kind of nut. I like the road bumpy all the way around.

I remember listening to Gordon Korman deliver a key note a few years ago at an SCBWI conference here in LA and he spoke of how he got his book published at the ripe old age of 12.

He had all twelve hundred of us dying when he said, “I simply sent it in with the Scholastic book order since I was the rep and had collected the money.” It was something he’d written during those long hours in English class when the “coach” teaching his class was simply “not” teaching.

And they called him to publish it. Yep.

My students went nuts.

“He was only 12?”

“That’s so cool?”

“Is it the same Gordan Korman from The 39 Clues and Ungifted?”

“You heard him speak?”

“He’s just a kid like me?”

Yes, I tell them, he was and still is, if you read his characters, full of warmth, quirkiness, honesty and yes, they still sound their age.

Now that I have hooked the class, I start reading from Ellen Potter and Anne Mazer’s amazing book Spilling Ink. I have the kids at hello. Right there, on page 1. Some of it I act out. Some of it they read out loud. Most of it they identified and laughed at, but most of them feel the same way. “Not me, I’m just a kid.”

And I am here to tell them that size matters not and neither does age. A story can be told by anyone, at any time, although it usually helps if you can write or talk.

Then I do the next coolest thing in this awesome book- I take my character to dinner. My students were like, “What?” I said, “Sure just ask them questions. And to warm you guys up, let’s see how well you know your pals.”

I assigned my students the 15 questions from the book, which I have included here, and told them, ok interview your pal.

1. What is your happiest memory?
2. What makes you laugh so hard soda shoots out of your nose?
3. What don’t you want anyone to find out about you?
4. What is the best part of your personality?
5. What shoes do you usually wear?
6. Name some things that you are not very good at.
7. How would your best friend describe how you look?
8. What irritates you (i. e., noises, bad habits, personality traits)?
9. What are you afraid of?
10. Tell me about your family.
11. What does your bedroom look like?
12. What do you think of yourself when you look in the mirror?
13. What’s the most embarrassing thing that has ever happened to you?
14. Do you have a crush on anyone?
15. What do you really, REALLY want more than anything else in the world?


Now pay attention. Here is the number one most important question you can ask your character. Ready? (page turn)

What’s your heart’s desire?

Turns out they didn’t know their pals as well as they thought they did. They were truly aghast when friend A couldn’t tell friend B her favorite color and Friend C guessed the wrong team Friend D loved to watch play football.

And they have been in the same class for 4 years.

Over the winter break, their job will be to think of a character, real or imagined, they would like to tell a story about and then take them to dinner, using the 15 questions from Spilling Ink.

And that will be our jumping board for starting our novel.

I love reading what they write and seeing how it evolves. There’s one more component of this amazing project. I put the students into critique groups. Yep, peer groups. They print their new pages. Then share them with each group member.

I tell my students when critiquing to use the compliment sandwich:

TOP BUN: “Hey, I like how much you wrote.” (something nice)

THE FILLING: “Maybe add a line to explain the joke.” (something to add)

BOTTOM BUN “But it certainly is funny. “ (something nice #2)

There you have it. A compliment sandwich. Works with adults too, I hear.


But of course, we still have to publish it don’t we?

There’s a great website that let’s you create book that you can then buy called Tikatok. It puts your students in the driver’s seat.

Of course, there is constant reading and editing to help the kids mold a story when many of them can’t write a successful paragraph.

But when the stakes are high and it’s something that matters like their idea, the kids really go the distance.

And subsequently, their writing improves by leaps and bounds.

It’s that easy. Stuck on starting a new project? Well….

Think of a character you’d like to write about.

Take your character to dinner.

You never know what they might order.

Thanks Ellen and Anne for such an amazing tool that parents, teachers and writers can use to continue writing stories that Scholastic and others might want to publish from the Scholastic Book order envelope. (I know! That still just cracks me up!)